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Reviews — Nanna s.o.s. Nanna! The Speeltheater based in Edam has a new theatre hit.
Last season, the minute TV star Poppentje was 'on tour' in a musical
theatre show. In the children’s performance 'Nanna S.O.S. Nanna!',
guardian angels boogie through space to the music of the well-known
DJ Don Diablo. The artistic duo Onny Huisink and Saskia Janssen continually
rejuvenate puppet theatre by combining various art disciplines in their
plays. In 'Nanna S.O.S Nanna!', they work with Don Diablo and the choreographer
Sassan Saghar Yaghmai. The theatre performance is an adaptation of the
children’s book 'Glittras Uppdrag' by the Swedish author Peter
Pohl, who attended the premier in the Amsterdam childrens’ theatre
De Krakeling. The expressive prints of the adventurous little boy Martin
and his family step onto the stage as cardboard puppets in varying formats.
Two actresses recount Martin’s story with fervour. He is very
fond of keys and opens doors that a little boy had better kept shut.
But for those of you who didn’t yet know: every child has a guardian
angel who watches over him or her in the afterlife. In a luxurious,
white velvet blanket of clouds these angels glide around ethereally.
There’s the ‘emerald-green angel of content', the ‘tobacco-brown
coloured angel of responsibility' or 'the yellow-green angel of laziness',
who often argue about the big questions of life on earth. Martin’s
angel is simply called Nanna and she lives at Cloud 13, where she doesn’t
get a moment of peace. To introduce the existence of the angels, the
actresses Nelleke Zitman and Jeannette Huizinga give the audience an
‘Angelish’ lesson about the comings and goings in heaven.
This is at times very funny, but sometimes seems too explicit in this
poetic story. The set of ‘Nanna S.O.S. Nanna!' is a poetically
illuminated young child’s dream, with a table full of sand to
represent the earth and a stack of sheepskin clouds you would love to
dive into. The music collage made by DJ Don Diablo, who mixes Gregorian
chant with techno and trance, makes the atmosphere less soft and suits
the rough turn the story takes. Angel Nanna is faced with a hard decision
when the lives of Martin and his girlfriend are in danger. A guardian
angel is allowed to do odd jobs on the edge of existence but must never
interfere with man’s destiny. If she does, she loses eternal life,
if she doesn’t two children die. Nanna makes the choice every
child in the audience hopes for. |
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